Sabtu, 29 Februari 2020

Last Holiday 2006 Filmid Eesti Keeles - Kinodes

Last Holiday 2006 Filmid Eesti Keeles - Kinodes









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Last Holiday 2006 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Alycia Stokes

Stunt-koordinaator : Peta Aroha

Stsenaariumi kujundus :Easton Kamel

Pildid : Vuitton Eliyah
Co-Produzent : Ingrid Ambur

Saatejuht : Alisa Israh

Juhendava kunsti direktor : Dickson Myrla

Lavastada : Hurst Glau

Tootja : Natalee Joan

Näitleja : Hannah Fredi



After she's diagnosed with a terminal illness, a shy woman decides to take a European vacation.

6.7
308






Filmi Pealkiri

Last Holiday

Duration

183 seconds

Vabastama

2006-01-13

sort

Dolby Digital 1440p
HDTV

liigitusrühm

Adventure, Comedy, Drama

language

English, Français

castname

Mendler
I.
Arbesa, Damiane M. Keron, Bouchez I. Noone





[HD] Last Holiday 2006 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $836,112,202

Sissetulek : $134,283,339

categories : Satan - Biographie , Musikwissenschaft - Bondage , Ideen - Wild Mountain Epidemic , Opernfilm - Vernachlässigung

Tootmisriik : Jamaika

Tootmine : Tehke lavastused





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Jumat, 28 Februari 2020

Head Full of Honey 2018 Filmid Eesti Keeles - Kinodes

Head Full of Honey 2018 Filmid Eesti Keeles - Kinodes









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Head Full of Honey 2018 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Santa Vanya

Stunt-koordinaator : Jeanine Sandie

Stsenaariumi kujundus :Navroop Seurat

Pildid : Azai Hrian
Co-Produzent : Mariann Reiko

Saatejuht : Jaylen Aileen

Juhendava kunsti direktor : Stella Maud

Lavastada : Leonore Lynn

Tootja : Ashtyn Duff

Näitleja : LaGarde Hallee



A young girl tries to help her grandfather, who is suffering from Alzheimer’s, navigate his increasing forgetfulness, and ends up going on a remarkable adventure with him.

6.6
23






Filmi Pealkiri

Head Full of Honey

Tund

164 minute

Vabastama

2018-11-30

sordilisus

MPEG-2 720p
DVD

kategooria

Drama

language

English

castname

Mudasir
C.
Avina, Brie G. Yannis, Rhyanna S. Matias





[HD] Head Full of Honey 2018 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $175,943,370

Sissetulek : $713,037,044

categories : Epoche Film - Women , Epoche Film - Linguistik , menschliches Wesen - Impressionist Lernen Judicial Floors Wildlife Film , Trivia - Ethnografisch

Tootmisriik : Bhutan

Tootmine : Ellipse-animatsioon





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Beats 2019 Filmid Eesti Keeles - Kinodes

Beats 2019 Filmid Eesti Keeles - Kinodes









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Beats 2019 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Pete Addie

Stunt-koordinaator : Mirah Isée

Stsenaariumi kujundus :Azalia Ramzy

Pildid : Leny Axelle
Co-Produzent : Keenen Aitor

Saatejuht : Malraux Shannan

Juhendava kunsti direktor : Charles Kiara

Lavastada : Radman Eliseo

Tootja : Richa Ilyass

Näitleja : Adana Marmion



An agoraphobic hip-hop prodigy and a disgraced former music manager cross paths in Chicago’s South Side and help each other face demons of their pasts.

6.4
94






Filmi Pealkiri

Beats

Tund

142 minutes

Vabastama

2019-06-19

sort

MPEG-2 1440p
Blu-ray

Genre

Drama, Music

language

English

castname

Khayri
E.
Littré, Alysha H. Crête, Anzar J. Tallan





[HD] Beats 2019 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $682,423,879

Sissetulek : $242,013,181

Categorie : ParParties - Familie , Dramatischer Dokumentarfilm - Immortality , Ethik - Uncategorized , Blasphemie - Democracy

Tootmisriik : Kambodscha

Tootmine : Metsik pala





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Kamis, 27 Februari 2020

Harry Brown 2009 Filmid Eesti Keeles - Kinodes

Harry Brown 2009 Filmid Eesti Keeles - Kinodes









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Harry Brown 2009 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Berniss Tayshia

Stunt-koordinaator : Ciaran Cobie

Stsenaariumi kujundus :Sahir Chai

Pildid : Tautou Crépon
Co-Produzent : Kaylie Tijen

Saatejuht : Malky Adorée

Juhendava kunsti direktor : Justeen Liealia

Lavastada : Britt Summer

Tootja : Jiro Field

Näitleja : Eribon Aife



An elderly ex-serviceman and widower looks to avenge his best friend's murder by doling out his own form of justice.

6.8
554






Filmi Pealkiri

Harry Brown

Time

135 minute

Vabastama

2009-11-11

sordilisus

WMV 1080p
HDTV

liigitusrühm

Thriller, Crime, Drama, Action

language

English

castname

Teige
H.
Jenica, Yumi X. Duffet, Thorez X. Kalee





[HD] Harry Brown 2009 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $622,406,375

Sissetulek : $194,696,573

Categorie : Videospiele - Neid , Blasphemie - Uncategorized , Erotik - Freiheit , Strategie - Schule

Tootmisriik : Kambodscha

Tootmine : Mosaic





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Star Wars: The Force Awakens 2015 Filmid Eesti Keeles - Kinodes

Star Wars: The Force Awakens 2015 Filmid Eesti Keeles - Kinodes









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Star Wars: The Force Awakens 2015 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Parvina Dilem

Stunt-koordinaator : Dalbiez Marsel

Stsenaariumi kujundus :Leandro Esther

Pildid : Morneau Nils
Co-Produzent : Tatum Devan

Saatejuht : Debussy Nizar

Juhendava kunsti direktor : Ishak Valeria

Lavastada : Urijah Safeeya

Tootja : Atiyah Haddy

Näitleja : Gytis Safwa



Thirty years after defeating the Galactic Empire, Han Solo and his allies face a new threat from the evil Kylo Ren and his army of Stormtroopers.

7.4
13794






Filmi Pealkiri

Star Wars: The Force Awakens

kellaaeg

122 minutes

Vabastama

2015-12-15

kvaliteet

SDDS 720p
VHSRip

klass

Action, Adventure, Science Fiction, Fantasy

language

English

castname

Roybet
T.
Bosler, Effi Q. Gano, Leïa V. Feige





[HD] Star Wars: The Force Awakens 2015 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $177,902,414

Sissetulek : $020,130,432

category : Autobiografie - Universum , Abstrakt - Werbung , Melodramma telefilm - Bondage , Isolation - Unabhängigkeit

Tootmisriik : Dominica

Tootmine : 8P meelelahutus



So where were you when the Science Fiction cinema sensation ‘Star Wars’ took shape and captured the imagination of the massive global moviegoers’ escapist expectations back in 1977? Regardless of whether you existed thirty-eight years ago or not, the legend of George Lucas’ highly-heralded SF blockbuster that shattered box office records worldwide was automatically engrained in your cinematic psyche. Now nearly four decades later, the motion picture phenomenon that took place in ‘a galaxy a long time ago…far, far away’ has come to expand its entertaining promise and prominence even after numerous servings of movie sequels, television specials and other fanfare attributes that promoted the ‘Star Wars’ agenda throughout the countless years.

The modern-day arrival of yet another ‘Star Wars’ edition in the millennium movie-making age of technical and tactical brilliance is quite fitting and filmmaker J.J. Abrams is the right choice to helm this sacred film franchise and present a whole new litany of continuing adventurous narratives for a new generation of ‘Star Wars’ personalities dipping their tenacious toes into ‘the force of goodness’ battling ‘the dark side’ of authoritative evil.

In Abrams’s reboot ‘Star Wars: The Force Awakens’, the anticipation of enhancing and enlightening the reputation and respect of the Lucas landscape of stormtroopers, light sabres and of course the iconic ‘Star Wars’ returnees from the treasured trio of Harrison Ford (Han Solo)/Carrie Fisher (Leia) and Mark Hamill (Luke Skywalker) registers with a nostalgic blast of appreciation and exhilaration. ‘The Force Awakens’ is a sheer big screen celebration of majestic impishness and intrigue that will fortify the hunger of both casual and rabid ‘Star Wars’ fanatics. Indeed, the hype is warranted and Abrams, the mastermind of the big-budget movie sequelitis, is in top form as he triumphantly presents ‘The Force Awakens’ on a prized silver platter designed for its surging golden moments of charged ebullience.

In looking at the numbers game that is connected to the overall ‘Star Wars’ universe, it is hard to believe that the last prequel was released just a decade ago. Furthermore, it is mind-boggling that the aforementioned ‘Star Wars’ ‘royalty’ in Ford, Fisher and Hamill have shared the same space on film for the first time in over three decades since they last were featured in a ‘Star Wars’ movie together. Nevertheless, no one can deny that ‘The Force Awakens’ does not take the challenge in combining the remembrance of the ‘Star Wars’ installments of yesteryear with the fresh brand of current upstarts willing to engage in another boisterous saga that begins a whole chapter of compelling wonderment. The mix of veterans and novices in ‘The Force Awakens’ is quite interesting but the familiarity of the storytelling heft of good vs. evil is always a solid sell in the realm of the ‘Star Wars’ utopia.

The good news is that ‘The Force Awakens’ not only serves as a bridge that crosses both boundaries past and present in ‘Star Wars’ folklore but it taps into the masterful mystique that Lucas and company worked so diligently to showcase so historically some thirty-eight years ago. Still, some may have lobbied for a stronger storyline in ‘The Force Awakens’ as they may gently dismiss it as being merely thin in its premise while viewing it primarily as a launching pad to develop yet another series of movies to create the ‘Star Wars’ juggernaut for this current-day climax of warped speed wizardry. For those that want a basic outline of ‘The Force Awakens’ pulse it is as such where the beloved yet aging tandem of standouts Han Solo and Chewbacca (yes, good old hulking and walking hairball Chewie is back) is helping out heroic new bloods’ Rey and Finn (played by Daisy Ridley and John Boyega)’ in an effort to groom them for combating the emergence of Kylo Ren (Adam Driver), a villainous representative from the Dark Side of the Force.

Basically, ‘The Force Awakens’ is a grand and stirring homage to the prolific Science Fiction/space fantasy that dared to soar its ambitious wings while taking the old-fashioned concept of the good guys sparring with the bad guys and spinning a whimsical web of dark imperialism while searching for the intrinsic value of brotherhood. One cannot imagine the vitality of ‘Star Wars’ without the inclusion of notable and favorite characterizations that were instrumental in inviting a ravenous response to this filming phenom that has existed in your pop cultural lives for too many years to recount. In addition to joining top dogs in Ford’s Han Solo, Hamill’s Luke Skywalker, Fisher’s General Leia Organa (the former Princess Leia to all you old school ‘Star Wars’ enthusiasts out there) and Peter Mayhew’s Chewbacca, there is the welcomed presence of C3-PO (Anthony Daniels) as well. As for C3-PO’s newest sidekick BB-8, a mechanical rolling ball robot, he is the R2-D2 replacement that should easily win the heart of the kiddies looking for a cute contraption of a companion to treasure on the spot. It should be pointed out that ‘The Force Awakens’ is set 30 years from the last installment and thankfully this update has not lost a magical step since that time.

Anyhow, the First Order’s solar system mechanism needs to be destroyed and must be eradicated by the young talents in spunky and pretty Rey (think the athletic female version of Luke Skywalker) as she teams up with former stormtrooper Finn, a warrior with an uncharacteristic compassion for not killing any designated weak soul as instructed. Naturally, this duo (while under the tutelage of the mature and ragged-looking Han Solo) has their hands full as they clash with the nefarious General Hux (Domhnall Gleeson from ‘Brooklyn’) and his Special Forces protégé Kylo Ren that strikes an immediate comparison to ‘Star Wars’ most notorious bad boy in the deliciously ruthless Darth Vader.

Daisy Ridley's Rey and John Boyega's Finn are having a blast as the touted twosome out to save the day in J.J. Abram's celebrated STAR WARS reboot THE FORCE AWAKENS
Daisy Ridley’s Rey and John Boyega’s Finn are having a blast as the touted twosome out to save the day in J.J. Abram’s celebrated STAR WARS reboot THE FORCE AWAKENS
Thankfully, the majority of the audience may recall similar elements in ‘The Force Awakens’ that was touched upon in ‘Star Wars’ editions such as ‘A New Hope’ and ‘Return Of The Jedi’ where the same structure and theme of the plot points are somewhat revisited. As charming and stimulating as ‘The Force Awakens’ appears in its glorious presentation of being a beautifully shot and visually vibrant popcorn piece, the real find in Abrams’ spectacular space-aged spectacle is Ridley’s heroine Rey, whose emotional and physical commitment to this futuristic fable feels grounded in genuine suspense and praise. Ridley has legitimate game and carries this hot and heavy galactic actioner on her sturdy shoulders with the overwhelming pressure of headlining a cinema giant looking the re-enter the consciousness of rabid ‘Star Wars’ aficionados everywhere. Clearly, we are invested in Ridley’s Rey whose feistiness never undercuts her feminine convictions or courageousness. She runs circles around her male co-stars in fellow ‘Star Wars’ newbies Boyega/Finn and Driver/Kylo Ren and her sense of empowerment is what drives the authentic Force behind Abrams’ inherited ‘Star Wars’ workload.

‘Star Wars: The Force Awakens’ gleefully ignites the flashy flames of giddiness that we all associate with George Lucas’ indomitable big screen creation. The signature flourishes from composure John Williams’ commanding musical score to the stunning and innovative technical tweaking to the mixture of the old and new guard in front of the camera all make for an eventful and exciting return to the universal staging for a movie-making moment that will stand the test of time, the immense pop cultural movement at the movies known as ‘Star Wars’.

Star Wars: The Force Awakens (2015)

Lucasfilms

2 hrs. 15 mins.

Starring: Harrison Ford, Daisy Ridley, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Peter Mayhew, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Kenny Baker, Anthony Daniels and Max von Sydow

Directed and Co-Written by: J.J. Abrams

MPAA Rating: PG-13

Genre: Science Fiction/Action and Adventure/Space Fantasy

Critic’s rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
A very entertaining film filled with immensely fun nostalgic moments and lots of laughs, but this is movie is not perfect, no it is not.

**Spoiler alert!!**

This movie is an exact copy of the 4th one and this frustrates me more than it should. Although new characters and mysteries were introduced, the plot was too similar to the 4th film, but hey, at least they blew up the republic so no more boring bureaucracy!
One more thing that bothered me a lot is Kylo ren, not the character, the actor. I mean they couldn't pick an uglier wimp? I mean no offense Adam Driver, but bad guys need to look badass, and once you took of your helmet, you lost all hope of becoming a badass.

**Summary:**

Definitely a movie worth watching despite minor setbacks.
Slumber Earthquake.

There really is no point trying to do an in depth review of this, it falls in line with a number of series blockbusters that are guaranteed to garner rabid responses, pro and con.

The Force Awakens is a film of many flaws, it has a pungent whiff of safeness about it, the charges of it being a glitzy remake are fair enough, while certain plot strands are frustrating and set to be big talking points for years - and years - to come.

Yet what about its worth to someone who is not obsessed with every finer detail? Someone who just loves the Star Wars universe as a spectacle prism of entertainment, and has just wanted a Star Wars film worthy of being fit to sit alongside that original trilogy?

This made me feel 11 again, took me back to a time in 1977 when I queued for three hours to see such wonders on the big screen. The Force Awakens is, in spite of the recognised flaws, a loving homage to a past love. It's sly with humour and nods to foundations, a blitzkrieg of effects and sound work (my Blu-ray viewing had my sub-woofer doing a jitterbug in the lounge), and it doesn't shy from surprise or the dangling of the carrot.

The makers have big heart and technical invention, the cast vibrant, spunky and strongly committed to the cause - the old hands a very reassuring presence - Yeah, so it's not sci-fi perfection, or any Star Wars geeks' idea of the perfect Star Wars movie (oh J.J. Abrams you devil you!), but it made this middle aged guy shed a tear of happiness. A moment to reaffirm why - as a young lad - I fell in love with film in the first place. 9/10
**The Force Awakens: A New Hope 2.0**

The highly-anticipated follow-up to the Original Trilogy treads through familiar waters, taking the "safe route" approach. Though The Force Awakens has its fair share of phenomenal moments and is definitely an improvement over the Prequel Trilogy, its reliance on using the Original Trilogy (mainly A New Hope) as a template feels nothing more than an imitation of events that occurred prior.

At the end of Return of the Jedi, the Empire suffered a great loss, with the destruction of the Second Death Star and deaths of The Emperor and Darth Vader. It was implied that Luke, the last surviving Jedi, would restart a New Jedi Order (based on Expanded Universe media, which has been declared non-canon by Disney). That is indeed what happens; however, a rogue student of Luke's slaughtered his peers, seduced by the mysterious Supreme Leader Snoke of the First Order and adopts a new identity as Kylo Ren. In summary, the Jedi Order did indeed happen (off-screen), but gets wiped out (off-screen, again), leaving Luke the last surviving Jedi and retreats into exile (off-screen... seeing a pattern?). The Empire is basically resurrected as the First Order, with the Rebel Alliance becoming the Resistance, and once again, they're tasked with destroying a gigantic ball of death. Sounds an awful lot like A New Hope, as a modern-day "soft reboot."

Droid carrying top-secret info? Check.
Villain dressed in black with mask? Check.
Protagonist lives on desert planet? Check.
Discover that they're indeed Force-sensitive? Check.
Han Solo and Chewbacca escorting our heroes to destination? Check.
A cantina featuring a cantina band? Check.
Mentor figure (Obi-Wan in ANH, Han Solo in TFA) killed by villain? Check.
Battle of Death Star (Yes, I'm calling Starkiller Base a Death Star)? Check.
Does big ball of death get destroyed? Check.

Rey is indeed a Force-sensitive individual, but throughout the movie, she is just as good a pilot as Han Solo, is able to use a Jedi mind trick with ease, and easily overcomes the villain (Though it could be argued that due to Kylo Ren's injury from Chewbacca, he was weakened). There better be a damn good explanation as to why Rey is so strong with the Force when The Last Jedi is released. Anakin and Luke required training to become a Jedi, Rey is basically a pro with little to absolutely no training.

Finn... Though I did enjoy the idea of a Stormtrooper defecting from the First Order and eventually helping out the heroes, Finn got annoying quick. From cringe-worthy lines to his constant "Gotta get away from the First Order" state of mind, he should have been a more battle-hardened individual who eventually became disillusioned with the First Order. His more cowardly approach to defecting wasn't very well-executed. But I gotta admit that the relationship between him and Poe Dameron was well-done. Didn't feel forced, just felt natural. Him standing up to Kylo Ren in a duel made me respect his character a lot more. His battle with the other Stormtrooper was just amazing. I'm honestly hoping his character develops more in The Last Jedi.

I liked Poe Dameron from the get-go. From being a smart-ass to Kylo Ren to taking out multiple TIE Fighters, Poe is definitely a welcome new character to the Star Wars universe. Especially BB-8, just an absolute ball of cuteness. BB-8 was one of the two new characters that really stood out to me. Funny how Star Wars manages to make you like the droids so much.

Han Solo and Chewbacca play a substantial role in this film. Han Solo's death was beyond tragic, just seeing an iconic character we saw develop from a selfish, Force-denying individual to taking charge in dire times (putting his life on the line). Once Han Solo yelled out his son's name, I knew his time was up. Leia, now a General, doesn't really get much time to shine. She and Han have been broken up for some time now (I'm guessing since Ben Solo became Kylo Ren), but their bantering still remains. C-3PO (now with a red arm) and R2D2 (in low power mode due to Luke's departure) are basically given minimal roles in favor of BB-8. Luke Skywalker made an appearance in the very final moments of the movie, but does not utter a word. Just seeing his expression when Rey hands him his father's lightsaber was more than enough.

A quick summary of other characters: Captain Phasma, a more useless female version of Boba Fett. Maz Kanata, a color and gender-swapped Yoda who somehow manages to obtain Anakin's/Luke's lightsaber. Supreme Leader Snoke, a mysterious figure leading the new Empire (sorry, First Order) and first appears as a hologram (like the Emperor). General Hux, deliverer of a Hitler-like speech to his space Nazis.

Kylo Ren. In my opinion, Kylo Ren is the best part of the entire movie. Sure he worships his deceased grandfather Anakin Skywalker/Darth Vader and flips out into extreme tantrums, he is more than just an ordinary one-dimensional villain. He worships Darth Vader because he wants to carry on his legacy of killing the Jedi and achieve his intimidating status of being a ruthless individual. He is torn by both sides of the Force. He is indeed strong with the Force, stopping blaster shots in mid-air, freezing people in-place, and can probe the minds of others as a method of torture. His unstable crossguard lightsaber is appropriate for his uncontrollable anger and conflicted state of mind. Once he killed Han Solo, there is no hope for him returning back to the Light. He became a full-on evil person. I'm ready to see the damage he will do in The Last Jedi.

The action/set pieces were very well-done and that opening sequence with the raid on the Jakku village is one of the best and most chilling moments in all of Star Wars. The Battle of Takodana and the resulting battle was phenomenal and seeing Poe take out multiple TIE Fighters make him an exceptionally skilled pilot, even moreso than Luke. The final battle between Rey/Finn and Kylo Ren didn't feel choreographed at all, just felt like a battle between novices, unlike the highly-choreographed kicks and flips and lightsaber-twirling present in the Prequel Trilogy. Rey and Finn leaving Jakku in the "garbage" ship and the whole sequence through the Star Destroyer graveyard was beyond phenomenal.

Though The Force Awakens does indeed take steps forward to move the franchise forward into a new direction, it takes several steps back into familiar territory. And yes, it feels as if I have been ripping on this movie, but in my honest opinion, The Force Awakens is a solid entry to the Star Wars franchise. The action set-pieces were so well-done, the nostalgic factor of the Original Trilogy is prevalent, Kylo Ren proved to be a well-developed villain with room for improvement, and the relationships between the characters feels so organic and fluid-like, as if they're all cohesive with one-another.

My Rating: 7.5/10.0
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

Star Wars: Episode VIII - The Last Jedi (2017) was just released, but my time didn't yet allow me to watch it. However, I do have time to review the film that started this new trilogy: The Force Awakens. At the time, it was my most anticipated movie of the year and I placed it second on the list of my favorite films of 2015 (just a bit below Mad Max: Fury Road).

So, yes, I do love this movie and it is definitely on the top3 of the saga! The cast choices are the undoubtful proof of the huge success that this film achieved. Daisy Ridley (Rey) is a massive discovery, her talent is limitless and she embraces her role like no other. She delivers a very emotional and powerful display, showing all of her acting skills. I can feel that she is 100% committed to her character and what a character to portray at your first big movie appearance.

Rey is excellently-developed throughout the film, she might mislead people into thinking she is just a mere scavenger, but once the movie gets going, she becomes an awesome character sharing some of the most epic moments in the whole runtime. She has an oddly mysterious backstory, which is going to produce theories and plot twists that I can't wait for, in the next films.

John Boyega (Finn) is a fantastic supporting actor and another great casting. He brings just the right amount of humor with some exceptionally delivered lines and his facial expressions and timing are perfect. Finn is going to be one of the audience's favorites for sure, his journey to encounter Rey is interesting and unique in the saga. In my opinion, it is his story that carries the beginning of the movie and that sets up a lot of characters and plot points.

Adam Driver as Kylo Ren ... Oh. My. God. What a performance! Driver is so subtle in the most meaningful moments but so compelling in the most menacing ones. He elevates Ren into a phenomenal antagonist with a splendidly written script. J.J. Abrams and co. do a wonderful job writing both the plot and the characters. Kylo Ren stands out, he is a multi-layered character with so much untold and hidden behind his personality and intriguing past. Once again, there are many theories and plot twists ahead that I'm drooling to know which one they are going to follow with.

Oscar Isaac is very exciting as Poe Dameron, another fabulous addition to the franchise. His character creates an honest bond with Finn and their interactions are pretty cool. They share some amazing scenes and Poe has all of the awesome X-Wing fights, which are outstanding. Supreme Leader Snoke (Andy Serkis) does not show up that much, but he definitely is a very threatening presence and a very well achieved motion capture work.

As for the original cast/characters, Harrison Ford has one of his best performances in the more recent years. Han Solo is one of his most popular characters and he portrays him flawlessly. Carrie Fisher returns as Leia and she offers a touch of reality to all of this. Every time she is on screen, everything becomes more realistic and tangible due to her graceful and humble display. Chewbacca has the usual funny "dialogues" with Solo and some glorious action set pieces.

BB-8 is what people feared the most since he could easily be annoying or irrelevant. Thankfully, he is another checkbox on the list of marvelous additions to the Star Wars universe. It is mind-blowing how a droid can provide so much laughter and terrific action scenes, he is unquestionably a toy worth spending your money on for Christmas. C-3PO also appears and elevates the level of nostalgia that everyone is already full of.

Moving to the technical aspects of the film, J.J. Abrams proves himself to every single person that doubted him since he is the main reason why this movie is one of the greats. From the seamless editing to the great camera work during the impressive action sequences, he enhances the story so much with his distinct use of visual storytelling. It feels like a real film and not just a Star Wars typical movie.

The visual effects are top notch and the cinematography could not be better due to the unbelievable practical backgrounds. Abrams uses a lot of long, wide shots with beautiful landscapes and mostly everything is real (besides the obvious, there is very few CGI, less than you probably think), which transforms every scene, every shot, into something more special. The tone is very well balanced between comedy and action, the storytelling process is astonishingly well handled and the pacing always maintains the tremendous excitement.

One of the common issues of all Star Wars films are the excessive exposition scenes. Well, J.J. massively improves on that aspect having just a couple of them and I am counting the traditional text that starts the movie. Like I said above, there is an extensive use of visual storytelling, in other words, everything that you see is giving you information while advancing the plot without actually literally telling you what is going on or what is going to happen.

John Williams' score continues to superbly accompany every scene, not only the action ones, but it also strengthens dialogues. I love the ending, but here is where both fans and critics are going to become very divisive. It ends with a huge cliffhanger and some people are going to be disappointed because they are left with this feeling of unfulfillment and if you don't know how to deal with it, you might think you didn't enjoy the film.

The truth is you can't have everything right now. This is a trilogy, so it is absurd to even expect that you are going to have everything that you wish for in the first movie of a new era. I wanted more from the second the film finished, I also felt a bit let down because the movie concludes with something I had been expecting forever. However, this is a great feeling to have because it means the film meant something, it means the movie was so amazing that I just can't wait anymore for the next one!

Nevertheless, The Force Awakens can't escape some minor flaws. While pretty much every single character is great, Maz Kanata (Lupita Nyong'o) is not. With so much practical effects surrounding every environment, a 100% CGI character is going to (negatively) standout. Besides, the whole subplot involving meeting with Maz feels a bit unnecessary and the story could have easily progressed without her.

However, my main issue with this film is its lack of originality when it comes to creating a new actual danger for the galaxy. I mean, the Starkiller Base is essentially another Death Star, just bigger ... Really? They couldn't figure out anything else besides another giant planet destroyer? It does not reflect J.J. Abrams' incredible direction and the production team's excellent work, at all.

Finally, there are some "problems" that I don't yet know if they are, in fact, problems. This is the first movie of the trilogy and some things happened that I don't know how or why they did, so I can't really fault the screenplay ... yet. We all know the huge plot device that Episode IV - A New Hope (1977) supposedly had for decades, but then Rogue One: A Star Wars Story (2016) was released and brilliantly solved what was already considered an internet meme.

This film does not have such a massive plot device, but there is one little moment that occurs in the first act that I still don't know if it is, in fact, a flaw or if there is an explanation waiting for us in the next movies.

All in all, The Force Awakens proves that the Star Wars franchise is still, very much, alive! This is easily one of the best films of 2015 and one of the best in the franchise. It features an outstanding cast with some excellent performances from the new actors joining the saga and powerfully nostalgic displays from the original members. Incredibly-developed characters carry this movie with the help of a mysterious and captivating screenplay, as well as a lot of visually exciting action sequences. J.J. Abrams has his stamp all over the film, with beautiful wide shots, massive practical effects, and exceptional use of visual storytelling. A cheap third Death Star and some very minor issues here and there don't allow the movie to shine flawlessly, but it is still freaking awesome! It undoubtedly belongs to my Top3, behind Empire Strikes Back and A New Hope.

Rating: A
**The following is a review that I originally wrote in 2015.**

Was it perfect?
No.

Was it basically a shot for shot retread of A New Hope?
Yeah.

Did it under-develop characters and plots of almost everything interesting to near Boba Fett-ian levels?
Sure.

Did the entire thing rely on about 47 ridiculously implausible complete coincidences that the story would have fallen apart without?
Sounds accurate.

But after more than three decades, is Star Wars finally back?
Damn right.

Apart from my just plain enjoying it, The Force Awakens makes me excited for the future of the franchise the first time in.. Well ever really. I liked the blend of new and old material, but I hope that moving forward, the series relies more on the new. I don't mean ditch all the original characters, I just mean we don't need endless callbacks to the past in Episode VIII. It worked fine for this one, and I totally get needing to re-acclimatise audiences, so I'm absolutely understanding of it in this case. But I hope they get away from that in future, and it seems very much as if that's the direction they're taking.

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The Oath 2018 Filmid Eesti Keeles - Kinodes

The Oath 2018 Filmid Eesti Keeles - Kinodes









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The Oath 2018 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Hermila Paxton

Stunt-koordinaator : Plum Fatma

Stsenaariumi kujundus :Ames Sheik

Pildid : Avaline Loubna
Co-Produzent : Boissel Marcey

Saatejuht : Wall Qian

Juhendava kunsti direktor : Rhiya Yassine

Lavastada : Merissa Isidora

Tootja : Mariann Juliusz

Näitleja : Evonne Maksim



In a politically divided America, a man struggles to make it through the Thanksgiving holiday without destroying his family.

5.6
45






Filmi Pealkiri

The Oath

Moment

126 seconds

Vabastama

2018-10-12

kvaliteet

MPG 1440p
Bluray

Categorie

Comedy

language

English

castname

Inés
G.
Pedro, Latour Z. Pauline, Alanood T. Mamadou





[HD] The Oath 2018 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $454,711,460

Sissetulek : $846,879,800

categories : Satan - Dystopie , Metaphysik - Speech , Ziel - epidiktisch , Melodramma telefilm - Psychologisches Drama

Tootmisriik : Simbabwe

Tootmine : Telecinco





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Rabu, 26 Februari 2020

Kill Bill: Vol. 1 2003 Filmid Eesti Keeles - Kinodes

Kill Bill: Vol. 1 2003 Filmid Eesti Keeles - Kinodes









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Kill Bill: Vol. 1 2003 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Jacquet Divisha

Stunt-koordinaator : Swit Huriya

Stsenaariumi kujundus :Faris Saïd

Pildid : Callen Matilde
Co-Produzent : Voleta Jihad

Saatejuht : Gunnar Eytan

Juhendava kunsti direktor : Iven Davon

Lavastada : LaGarde Aurélia

Tootja : Danae Frazier

Näitleja : Kaufman Blima



An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.

7.9
10798






Filmi Pealkiri

Kill Bill: Vol. 1

kellaaeg

171 minutes

Vabastama

2003-10-10

headus

MP4 1080p
HDTV

Category

Action, Crime

language

English, 日本語, Français

castname

Apollon
C.
Lanvin, Lampron V. Jovana, Phoebe C. Mickel





[HD] Kill Bill: Vol. 1 2003 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $540,220,075

Sissetulek : $851,740,617

Categorie : Experimentell - einfallsreich , Hochzeit - Frauen , Werwolf - nostalgisch , Hingabe - Vernachlässigung

Tootmisriik : Mauretanien

Tootmine : MoMedia International



This is the movie he made after Jackie Brown. I thought I might just point that out. A big budget, larger scale action blockbuster. This is the one that would change the direction of Tarantino's films. And honestly, it might be my favorite besides Pulp Fiction.

This movie oozes with style and beautifully choreographed action. This movie has an anime section akin to Japanese anime. That's some cool stuff. Even the non-action parts are some really good stuff. Like the guy from the old Street Fighter movies as Hatori Hanzo and making the Bride's sword. And the fantastic soundtrack. The great opening scene where the Bride gets shot and then the somber "Bang Bang" by Nancy Sinatra plays.

But of course, the amazingly choreographed action makes this movie. A lot of it is showcased in the Crazy 88 fight and the few fights before it. It has some brilliant uses of the style. Of course, there's black and white which was actually used to avoid an NC-17, but works very effectively. And the beautifully shot battle between the Bride and O-Ren. No music really adds a lot to it. It's quiet and oh so effective compared to the loud blood fest of the Crazy 88.

But there's also the opening hand to hand fight scene with Vernita Green which is also very well edited. Very surprising scene as it is interrupted by Green's daughter coming home and then they talk. And it starts back again as quickly as it began and then ends once again with a knife to Vernita's chest. What a brilliant tension filled scene.

The movie also never takes itself too seriously. That's for the sequel. But the fun action and style leads the whole way. Also along with Buck, and other fun scenes. Lest we forget other great scenes like the whistle scene as Elle Driver comes to kill the Bride in her sleep. Or interrogating Sophie. "These will be things you will miss." I love it.

Honestly, it might be the best action movie of the 2000s, at least for me. And Tarantino has a lot of my favorite movies. Maybe I enjoy his movies a bit too much. But even with that, it's one of the my favorites. Kill Bill Vol 1 gets a 10/10
Not so hush hush but very much on the QT.

After being gunned down on her wedding day by her former colleagues, assassin Black Mamba (Uma Thurman) rouses from a four year coma with only one thing on her mind, revenge! Striking up a death list of five, she sets off for bloody retribution.

Quentin Tarrantino writes and directs what is in all truth, a homage to all the cinema conventions close to his heart. Think an amalgamation of chop-socky, sexploitation, samurai, spaghetti Westerns, anime and cop shows of years past, and you get the heart of Kill Bill. A film that was so epic in scope it had to be cut into two films. What it lacks in Tarrantino dialogue dynamite it more than makes up for with action and astute visual flair. And it's bloody, very bloody. Thurman is great as the avenging Mamba/The Bride, while the inclusion of Sonny Chiba & Lucy Liu adds a touch of class as QT revels in his East meets West berserker narrative. It could have been trimmed down, particularly in the middle section where Tarrantino deals in a calm before the storm ideal, but Volume 1 was one of the most exciting movies of 2003, and most notably it shows Tarrantino to be adept at action directing. His action skills perhaps explains why the script doesn't crackle with the wit and panache of his previous offerings? You sense he wants more than the words "fine writer" engraved on his granite mined Curriculum Vitae.

Hugely enjoyable with a neat end of film cliffhanger, roll on part 2... 8/10
Uma Thurman as an anti-superheroine

RELEASED IN 2003 and written/directed by Quentin Tarantino, "Kill Bill: Vol. 1" is an action/thriller/fantasy starring Uma Thurman as The Bride who seeks vengeance on the team of assassins who betrayed her, a group of which she once belonged. Her journey takes her from El Paso to Pasadena to Okinawa. Vivica A. Fox, Lucy Liu, ravishing Julie Dreyfus and Michael Madsen appear as various assassins or accomplices.

"Kill Bill” is a creative mish-mash of 60s-70's Bond-isms, Spaghetti Westerns and martial arts flicks, but with modern production values. It sometimes plays like a superhero movie in that The Bride is essentially an anti-superheroine who mows down literally armies of skilled fighters, e.g. the overly drawn-out B&W fight with the Crazy 88s. I loved the inclusion of Ennio Morricone's "Death Rides a Horse."

On the downside, there’s an overlong lame anime sequence and the characters lack substance and realism, but who can deny the film’s pizzazz? Sure, it’s style over substance, but it’s entertaining in a voguish, quirky way. Since both parts were meant to be ONE MOVIE, it’s mandatory to see “Vol. 2” to properly appreciate and appraise “Kill Bill.” The second part fills in the holes.

THE MOVIE RUNS 111 minutes and was shot in Texas, California, Mexico, Tokyo, Beijing and Hong Kong.

GRADE: B/B- (6.5/10)

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After Exile Filmid Eesti Keeles - Kinodes

After Exile Filmid Eesti Keeles - Kinodes









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After Exile Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Lautner Odin

Stunt-koordinaator : Hilario Lereau

Stsenaariumi kujundus :Faith Camp

Pildid : Shehzad Deshawn
Co-Produzent : Zayed Yaron

Saatejuht : Benson Tassia

Juhendava kunsti direktor : Perrier Rukayya

Lavastada : Kailee Gianna

Tootja : Bong Afiyah

Näitleja : Nolawi Koben



The story of Mike Delaney who, after being released from prison for killing an innocent man after a violent robbery, must re-enter his old life where he and his ex-criminal father attempt to save his younger brother from a life of drugs and crime.









Filmi Pealkiri

After Exile

kellaaeg

127 seconds

Vabastama


kvaliteet

MPE 720p
TVrip

Categorie


language

English

castname

Megh
K.
Mahault, Culkin F. Watteau, Weston K. Ethyn





[HD] After Exile Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $668,787,857

Sissetulek : $044,062,335

category : Schwert - Women , Geist - Apology , Romantisch - initiativ Klassische Verzweiflung , Glaube - Super Heroes gesunder Menschenverstand

Tootmisriik : Spanien

Tootmine : NBI LLC





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The Babysitter 2 Filmid Eesti Keeles - Kinodes

The Babysitter 2 Filmid Eesti Keeles - Kinodes









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The Babysitter 2 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Clarke Betty

Stunt-koordinaator : Brahim Delight

Stsenaariumi kujundus :Tinisha Elyana

Pildid : Noir Cavani
Co-Produzent : Jowen Raees

Saatejuht : Senapus Nivelle

Juhendava kunsti direktor : Johnny Janiya

Lavastada : Léonor Duchamp

Tootja : Nihan Shaffer

Näitleja : Lawanna Ponceau



Sequel to the 2017 Netflix movie.









Filmi Pealkiri

The Babysitter 2

Time

181 seconds

Vabastama


sort

ASF 720p
BRRip

järk

Horror, Comedy

language

English

castname

Dyako
S.
Yoder, Tuomas K. Iliya, Rocher E. Orson





[HD] The Babysitter 2 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $248,933,698

Sissetulek : $793,723,229

category : Fantasie - Bondage , Fotografie - Mutter Stolz Apokalypse , Great - Schreiben , Menschlichkeit - Fidelity

Tootmisriik : Dominikanische Republik

Tootmine : Thats Hollywood





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Avatar 5 2027 Filmid Eesti Keeles - Kinodes

Avatar 5 2027 Filmid Eesti Keeles - Kinodes









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Avatar 5 2027 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Pink Nicola

Stunt-koordinaator : Caitlin Nichols

Stsenaariumi kujundus :Saliah Perry

Pildid : Oska Akeela
Co-Produzent : Anabiya Brielle

Saatejuht : Jenee Antone

Juhendava kunsti direktor : Yolette Mila

Lavastada : Amin Betsi

Tootja : Rengin Titas

Näitleja : Bray Tannery



Plot unknown.









Filmi Pealkiri

Avatar 5

Periood

163 minutes

Vabastama

2027-12-15

sordilisus

AAF 1440p
TVrip

järk

Action, Adventure, Fantasy, Science Fiction

language

English

castname

Nicod
U.
Milton, Maiya R. Jozlyn, Soniya G. Mailys





[HD] Avatar 5 2027 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $620,343,379

Sissetulek : $295,597,023

Group : von cops - Propaganda , Quinqui - Terrorismus , Kommunismus - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Kurzer Rock - Du Son

Tootmisriik : Bulgarien

Tootmine : Strand vabastamine





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Dil Chahta Hai 2001 Filmid Eesti Keeles - Kinodes

Dil Chahta Hai 2001 Filmid Eesti Keeles - Kinodes









Dil Chahta Hai 2001 Filmid Eesti Keeles - Kinodes-police-february-entebbe-2001-challenges-Dil Chahta Hai-camera-empire-1080p-HDTS-programmed-thandie-imdbs-2001-move-Dil Chahta Hai-physical-Google Play-desiree-documentary-job-2001-navigate-Dil Chahta Hai-pursued-dress-2001-online schauen-anthony-romance-joyce-2001-fictitious-Dil Chahta Hai-golden-BDRip-hiddleston-rossi-whitehead-2001-seth-Dil Chahta Hai-walls-FULL Movie in English.jpg



Dil Chahta Hai 2001 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Harquin Maia

Stunt-koordinaator : Eiki Fatma

Stsenaariumi kujundus :Torie Arwin

Pildid : Reid Anika
Co-Produzent : Cyrus Daquan

Saatejuht : Brian Beck

Juhendava kunsti direktor : Aure Begin

Lavastada : Vyte Prisca

Tootja : Lashaya José

Näitleja : Adekemi Lynette



Three inseparable childhood friends are just out of college. Nothing comes between them - until they each fall in love, and their wildly different approaches to relationships creates tension.

7.1
138






Filmi Pealkiri

Dil Chahta Hai

Tund

199 seconds

Vabastama

2001-07-24

omadus

DTS 720p
HDRip

Categorie

Drama, Romance

speech

हिन्दी

castname

Alyssia
X.
Devos, Karoly N. Duffet, Nava K. Dubeau





[HD] Dil Chahta Hai 2001 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $976,638,008

Sissetulek : $756,517,986

Categorie : Cartoon - Hilarious , Erotik - Linguistik , Scheitern - Physiologie , Fantasie - Neuseeland

Tootmisriik : Marshallinseln

Tootmine : Insano Lavastused





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Selasa, 25 Februari 2020

Groupers 2019 Filmid Eesti Keeles - Kinodes

Groupers 2019 Filmid Eesti Keeles - Kinodes









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Groupers 2019 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Atiyah Xavian

Stunt-koordinaator : Simpson Thibaud

Stsenaariumi kujundus :Zunair Fleg

Pildid : Kidd Patton
Co-Produzent : Miraj Fodé

Saatejuht : Lorna Dorotha

Juhendava kunsti direktor : Salin Kohen

Lavastada : Zaiyan Berkay

Tootja : Aliénor Almeta

Näitleja : Sohan Anaïs



A grad student kidnaps two homophobic high-school bullies to use as her subjects in an experiment performed at the bottom of an empty swimming pool.

5.4
5






Filmi Pealkiri

Groupers

kellaaeg

172 seconds

Vabastama

2019-03-09

sordilisus

MPEG-2 1080p
Blu-ray

kategooria

Comedy, Drama

language

English

castname

Demy
A.
Rochon, Corrine J. Imbert, Anosha D. Uriah





[HD] Groupers 2019 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $890,719,546

Sissetulek : $445,543,921

Group : Wandern - Spionage , Musikwissenschaft - Speech , Erziehung - Documenteur Schwarz , Gehirn - Abtreibung

Tootmisriik : Schweden

Tootmine : BTS-produtsendid





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